12. 10. 2007
Bajofondo: Mar Dulce
This is the new release by Bajofondo, which has been eagerly awaited by all friends of Electrotango. Tango meets Candombe, Milonga, Electro and Hip-Hop, and an exciting composition of rhythms and sounds emerges, which turns out to be harmonious. The list of artists involved in the project is also fascinating: Ryota Komatsu, Elvis Costello, Mala Rodríguez, Nelly Furtado and Lágrima Ríos, together with the Argentinian and Uruguayan musicians of Bajofondo, enchant the audience of “Mar Dulce”.
21. 08. 2007
Do you value our music shop 175,000 Euro?
This message informs you very frankly about the current situation of our music department and the “Danza y Movimiento” webshop. You will learn something about why it has been impossible to earn money with selling CDs for years now- in case you didn’t know that already. I am going to inform you about the consequences for “Danza y Movimiento”. I will tell you about my personal attitude towards “money” and towards the “Danza y Movimiento” music shop. And if you had the impuls to want to make this music catalogue (which is unique throughout the world, by the way) survive, you could find our bank details at the bottom of this message…
22. 06. 2007
Kevin Johansen: Logo
The Argentinian Kevin Johansen was born in Alaska and he also has Sacndinavian ancestors. Obviously, this man’s music cannot be classified easily. Thus, also the fourth CD by this extraordinary artist is a wonderfully surprising album regarding the mix of musical elements: Milonga, Country, Pop, Murga, Folklore. Some songs are sung in English, some in Spanish. All the titles were composed by Johansen, and he combines great arrangements and intelligent lyrics.
26. 04. 2007
Karsten Troyke: Dus Gezang Fin Mayn Harts
Karsten Troyke: Dus Gezang Fin Mayn Harts
“Tango oyf Yiddish” is the subtitle of this CD. The Oriente label is a specialist for extraordinary productions, which are far from “mainstream” tango. Karsten Troyke and the Trio Scho (violin, accordion, double bass, 5 titles with additional clarinet) manage to bewitch their listeners. Enchantingly they take us to the 1920s and 1930s and to the area of Yiddish “Schlager” songs in the 1950s.